CULTURE MACHINE 8 (2006)
Edited by Dorota Glowacka
In recent years, the notion of community has emerged as an important but also contested field of enquiry. The ‘new’ discourse of community has challenged the understanding of community as related to the nation-state, and as an ‘imagined’ cultural and political artifact that provides a collectivity with the sense of unity, continuity, and closure. Jacques Derrida has insisted that such circumscribed articulations of community conceal but also perpetrate foundational violence that underlies the collective myth. Philosophical investigations of this myth by Jean-Luc Nancy, Maurice Blanchot and Giorgio Agamben have opened up the concept of community onto a broader politico-ethical and cultural context. Here, Nancy’s call for the disbanding of the immanent community has been especially influential. According to him, community as the dominant Western political formation, founded upon a totalizing, exclusionary myth of national, racial or religious unity, must be tirelessly ‘unworked’ in order to accommodate more inclusive and fluid forms of Being-in-common, of dwelling together
in the world.
The contributors to this issue of Culture Machine navigate multiple tangents of community as a socio-historical, politico-ethical, and cultural construct. The authors comment on the nascent virtual or networked communities as the forum for cultural avant-garde and politically progressive forces but also as, potentially, the mainstay of political conservatism. They ask about the function of community in rapidly shifting geo-political contexts, of which the European community
is a fecund if also volatile contemporary example, as is the plethora of post-colonial, post-Western articulations.
The ‘Community’ issue features:
* Editorial, 'Community: Comme-un?'
* Kuisma Korhonen, 'Textual Communities: Nancy, Blanchot, Derrida'
* Ignass Devisch, 'The Sense of Being(-)with Jean-Luc Nancy'
* Marie-Eve Morin, 'Putting Community under Erasure: Derrida and Nancy
on the Plurality of Singularities'
* Dorota Glowacka, 'Community and the Work of Death: Thanato-ontology in
Hannah Arendt and Jean-Luc Nancy'
* Timothy J. Deines, 'Bartleby the Scrivener, Immanence and the
Resistance of Community'
* Angela Mitropoulos and Brett Neilson, 'Cutting Democracy's Knot'
* Paulina Tambakaki, 'Global Community, Global Citizenship?'
* Daniel H. Ortega, '"En Cada Barrio": Timocracy, Panopticism and the
Landscape of a Normalized Community'
* John Paul Ricco, 'The Surreality of Community: Frederic Brenner's
Diaspora: Homelands in Exile'
* Jake Kennedy, 'Gins, Arakawa and the Undying Community'
* Petra Kuppers, 'Community Arts Practices: Improvising Being-Together'
* Natalie Cherot, 'Transnational Adoptees: Global Biopolitical Orphans
or an Activist Community?'
CONTRIBUTING TO CULTURE MACHINE
Culture Machine publishes new work from both established figures and up-and-coming writers. It is fully refereed, and has an International Advisory Board which includes Robert Bernasconi, Lawrence Grossberg, Peggy Kamuf, Alphonso Lingis, Meaghan Morris, Paul Patton, Avital Ronell and Nicholas Royle. Among the distinguished contributors to the first seven editions of Culture Machine are Mark Amerika, Alain Badiou, Geoffrey Bennington, Bifo, Simon Critchley, Jacques Derrida, Diane Elam, Johan Fornäs, Henry A. Giroux, Lawrence Grossberg, Stevan Harnad, N. Katherine Hayles, Peggy Kamuf, David Kolb, Ernesto Laclau, J. Hillis Miller, Anna Munster, Michael Naas, Mark Poster, Melinda Rackham, Tadeusz Slawek, Bernard Stiegler, Kenneth Surin, Gregory L. Ulmer, Hal Varian, Cathryn Vasseleu and Samuel Weber.
Culture Machine welcomes original, unpublished submissions on any aspect of culture and theory. All contributions to Culture Machine are refereed anonymously. Anyone with material they wish to submit for publication is invited to contact:
Culture Machine c/o Dave Boothroyd and Gary Hall
e-mail: email@example.com and firstname.lastname@example.org
All contributions will be peer-reviewed; all correspondence will be
For more information, visit the Culture Machine site at: