Your name in binary code

THEODORE STRIPHAS = 01010100 01101000 01100101 01101111 01100100 01101111 01110010 01100101 00100000 01010011 01110100 01110010 01101001 01110000 01101000 01100001 01110011.

Binarize (is that a word?) your name here.

Latest issue of Collapse

Collapse is one of the most intriguing scholarly journals available. It's independently published, which means, on the positive side, that it's not part of the corporate journal-industrial complex. I really admire that. On the flip side, though, independence has resulted in Collapse's flying somewhat under the radar of readers and scholarly groups for whom the journal is less well known than it should be.

Now in it's fourth issue, Collapse consistently has published cutting-edge theoretical work within and beyond the orbit of post-structuralist philosophy. I've blogged about Collapse before, when the editors published an issue featuring what's probably Gilles Deleuze's first known scholarly work. The original contributions from contemporary authors are consistently provocative as well.

If I had to find an analogue, I'd say, think Semiotext(e) from the 1970s, when the journal helped to introduce English-language readers to the likes of Deleuze, Guattari, Kristeva, Baudrillard, Irigaray, Negri, and many others. Or, better yet, just think. Because that's exactly what Collapse will always make you do.

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FROM THE EDITORS OF COLLAPSE
We are delighted to announce that Collapse Volume IV will be published May 2008 and is now available for advance purchase online.

Contributors to this volume include: Kristen Alvanson, Jake and Dinos Chapman, Iain Hamilton Grant, Graham Harman, Michel Houellebecq, Oleg Kulik, Thomas Ligotti, Quentin Meillassoux, China Miéville, Reza Negarestani, Benjamin Noys, Rafani, Steven Shearer, George Sieg, Eugene Thacker, Keith Tilford, Todosch, James Trafford.

Collapse IV features a series of investigations by philosophers, writers and artists into Concept Horror. Contributors address the existential, aesthetic, theological and political dimensions of horror, interrogate its peculiar affinity with philosophical thought, and uncover the horrors that may lie in wait for those who pursue rational thought beyond the bounds of the reasonable. This unique volume continues Collapse’s pursuit of indisciplinary miscegenation, the wide-ranging contributions interacting to produce common themes and suggestive connections. In the process a rich and compelling case emerges for the intimate bond between horror and philosophical thought.

George Sieg's Infinite Regress into Self-Referential Horror demonstrates the simultaneously cognitive, existential and political nature of Horror, through a conceptual investigation of the primacy of victimhood for the affect of horror, tracing its origins to the Zoroastrian concept of Druj.

In The Shadow of a Puppet-Dance, James Trafford tracks weird fiction writer Thomas Ligotti's anticipation of the radical thesis of neurophilosopher Thomas Metzinger's book Being No-One: namely, that 'nobody ever was or had a self'.

In Thomas Ligotti's own contribution to the volume, Thinking Horror, he takes up the work of obscure Norwegian philosopher Peter Zapffe, among others, to take an unflinching journey into the depths of pessimistic thought. As a counterpoint to Ligotti's deflation of human hubris, Oleg Kulik, the internationally-acclaimed Ukrainian contemporary artist known for his disturbing investigations into the borders between life and death, human and animal, contributes his photographic series Memento Mori: Dead Monkeys.

Eugene Thacker's Nine Disputations on Theology and Horror gives a detailed and penetrating account of the 'teratological noosphere', discussing the way in which a certain horror has perenially accompanied the concept of 'life', from Aristotle to Lovecraft.

Novelist Michel Houellebecq is well-known for his evocation of the horror that dwells within the banalities of contemporary life. His poems, of which a selection are translated into English here for the first time, distil his powerful vision into translucid moments of dread.

Jake and Dinos Chapman, the notorious Brothers Grim of the British artworld contribute a set of drawings created exclusively for Collapse. The cartoon-horror of I Can See continues their investigations into the connection between laughter and horror through the programmatic impoverishment of the aesthetic.

In the third of a 'trilogy' of essays published in Collapse, Spectral Dilemma, Quentin Meillassoux reveals some of the ethical consequences of his deduction of the 'necessity of contingency', through an examination of the problem of 'infinite mourning' for the dead.

Kristen Alvanson's photographs, at once repellent and fascinating, of preserved specimens of deformed and mutated animals and humans, are accompanied by a text which discusses Paré's sixteenth-century treatise which makes of taxonomy itself something monstrous, as demonstrated in Alvanson's diagrammatic presentation of the Arbor Deformia.

German artist Todosch's meticulous sketches seem to depict varieties of heterogenous slime in the process either of disintegration or coagulation, making them a perfect companion to Iain Hamilton Grant's Being and Slime. This untimely excavation of the work of nineteenth century naturephilosopher Lorenz Oken - according to whom the generation of the universe from a 'primal zero' corresponds to its coagulation from a 'primaeval mucus' - puts an entirely new slant on Badiou's notion of 'founding on the void'.

Benjamin Noys meditates on Lovecraft and the real, revealing that the most abyssal of Horrors is Horror Temporis.

In Thinking with Nigredo, Reza Negarestani shows how Aristotle and Plotinus both unlock and dissimulate the ontological mechanism expressed by an unspeakable form of Etruscan torture.

Canadian artist Steven Shearer contributes a new series of his Poems - striking graphical pieces created through a manipulation of the nihilistic and extreme titles and lyrics of death-metal bands.

China Miéville, better known for his bestselling weird fiction novels, writes on M.R.James and the Quantum Vampire, interrogating the dyad of the weird and the hauntological, and introducing us to a new fearsome creature from his arsenal ... behold the Skulltopus!

Czech art collective Rafani present their cycle Czech Forest, an adaptation of folk-tale imagery which presents a very modern tale of warcrime and revenge from the end of WWII.

Graham Harman returns to Collapse with On the Horror of Phenomenology: Lovecraft and Husserl. In a polemical defence of 'weird realism', Harman demonstrates that philosophical thought has more in common with weird and horror fiction than it might like to admit. Singular Agitations and a Common Vertigo, Keith Tilford's series of images - deftly disintegrated objects with more than a hint of 'pulp' - anticipate and shadow Harman's invocation of the weird inner life of objects.

Collapse Volume IV // Ed. R. Mackay // May 2008 // 390pp // Limited Edition 1000 copies // ISBN 978-0-9553087-3-4 // £9.99

Buy or Subscribe at: http://blog.urbanomic.com/urbanomic/archives/2007/08/buysubscribe.html

The big announcement, at long last

I've been hinting for weeks (maybe longer) that I had a B-I-G announcement forthcoming about my book, The Late Age of Print: Everyday Book Culture From Consumerism to Control. At long last, here it is: the book will be published in 2009 by Columbia University Press!

I'm thrilled, needless to say, because Columbia's such an esteemed press and has published so many books I love: from Rachel Bowlby's Carried Away: The Invention of Modern Shopping to Gary Cross' An All Consuming Century, and from David Henkin's City Reading: Written Words and Public Spaces in Antebellum New York to Gilles Deleuze and Félix Guattari's What Is Philosophy? and beyond.

What's also thrilling is that Columbia has agreed to make available, for free, a Creative Commons licensed PDF of The Late Age of Print. It will be released on the internet, concurrent with the publication of the print edition of the book. This is the first time Columbia is producing a book this way, and given my own proclivities toward intellectual property (not to mention the arguments I make in the book), I couldn't be happier to be the test case. What's more, I'm pleased to see another major university press taking a strongly affirmative stance toward open access to ideas.

Many of you who read this blog will find yourselves thanked in the book's acknowledgments. For now, though, a big, blanket "thank you" to all who've supported me throughout the process of researching, writing, revising, and finalizing The Late Age of Print. It's funny--for someone who writes about book publishing, I feel like I learned as much about the book business by trying to get The Late Age of Print published as I did by actually writing it!

The Society of the Spectacle©

Sorry for all the quiet. The last couple of weeks have been hectic, to put it mildly, with me finalizing my book manuscript and delivering a keynote address at a wonderful conference organized by the graduate students in the Department of Spanish and Portuguese at UC Berkeley. And this week, my old mentor and very dear friend, John Erni, is headed here to Indiana to deliver a talk on "The New Sovereignties." Good things are happening, but unfortunately, Differences & Repetitions has suffered as a result. So thanks, readers, for sticking around.

I'm writing to share a story from this week's Chronicle of Higher Education. It talks about how Alex Galloway, an Associate Professor at NYU and someone I knew from grad school, has run into copyright trouble with, of all things, the estate of Marxist Guy Debord! Here's a taste of the article:

Guy Debord, the Marxist and French philosopher who died in 1994, may be rolling over in his grave.

A lawyer representing his widow has threatened Alexander R. Galloway, an associate professor of culture and communication at New York University, with legal action. Mr. Galloway said the lawyer sent him a letter demanding that he cease and desist from distributing his online war game, claiming it infringes on the copyright of the Debord estate. The philosopher had created a similar war game.

But copyrights and intellectual property were anathema to Debord, said Mr. Galloway. The Situationist International movement that Debord founded in 1957 is a mix of anarchism and Marxism. Its followers scrawled, "Abolish copyright" on building walls during the May 1968 student uprisings in Paris.

I know capitalism's supposedly rife with contradication, but this is getting ridiculous. (And here I'm reminded of Deleuze and Guattari's claim, "Nobody's ever died from a contradiction.") Indeed, to me, Alex's game is clearly a transformative use of Debord's concept and therefore well within the bounds of fair use.

Isn't it depressing when Marxists, or at least the spouses thereof, don't see things the same way? And isn't it even more depressing when the work of great Marxists comes to be seen not as a source of critical heuristics but rather as a lucrative revenue stream? Perhaps I'm naive, but I thought Debord's ideas and creative work were supposed to give us some distance from the excesses of the "society of the spectacle" and not, as it were, to become them.

Anyway, you can read the full story here. This is a very interesting case to me, since it would seeem to hold not insignificant implications for the matter of academic freedom, above and beyond any copyright considerations that may be at stake.

"Light's out" for Google?

Google often celebrates holidays and other major events by changing the look of its home page. At Thanksgiving, for example, you're likely to find pilgrims gallivanting, or perhaps an unfortunate turkey or two running for their lives. Valentine's Day usually means hearts and all that mushy stuff, St. Patrick's Day brings shamrocks and leprechauns...you get the drill. Well, today, Google's usually white background has been turned black in an effort to raise awareness for Earth Hour--an event designed to curb global energy consumption and raise awareness about global climate change.

Let me say that I'm behind the Earth Hour event. It's a fantastic idea, and I'd love to see its principles institutionalized. (It does make me wonder, though, about the prospects of Earth Day, which is a different event celebrated every April, getting downsized to a mere hour--but that's a topic for another post.)

However welcome Google's promotion of Earth Hour may be, I still find it strange for two reasons. First, I read a fascinating article by Ginger Strand called "Keyword: Evil--Google's Addiction to Cheap Electricity," which was published in the March 2008 issue of Harper's. There, she notes how Google's new server farm, to be built in The Dalles, Oregon, will consume about as much power in a given day as the entire city of Tacoma, Washington. Second, though I'm grateful to Google for plugging Earth Hour, the company gives no indication that it's planning on unplugging anything itself. It offers this statement instead:

Given our company's commitment to environmental awareness and energy efficiency, we strongly support the Earth Hour campaign, and have darkened our homepage today to help spread awareness of what we hope will be a highly successful global event.

Much as I respect Google--one of the most heavily-trafficked websites on the internet and host of Differences & Repetitions via Blogger--and its decision to promote Earth Hour, I'm sad to say its doing so seems more like carefully calculated corporate greenwashing than it does a genuine effort to cultivate environmentally sustainable practices. To point out the obvious: turning a computer screen black is not turning it off.

In addition to extinguishing all our lights for an hour, how much more of an impact could we make if we unplugged everything--lamps, toasters, computers, even Google itself (yes, YouTube too)--for an hour?

Print is dead

I've just added a new site to the blog roll: Jeff Gomez's Print is Dead. I discovered it by accident while doing some research on "the late age of print," which is a phrase Jay David Bolter coined and, as many of you know, is the title of my forthcoming book. I've only read a few of Jeff's posts thus far, and while we may come at some of the issues confronting today's book industry from different perspectives, it's clear he's got a lot of smart things to say. I love the title of his blog, too, which comes from a line Egon (Harold Ramis' character) delivers in the movie, Ghostbusters.

Speaking of The Late Age of Print (the book), I have a big, big, BIG announcement coming up very soon. Stay tuned--or whatever one does to keep one's attention on a blog. Would it be more apt to say, "ready your feed readers?" That doesn't exactly roll off the tongue now, does it?

Getting the Constitution through security

This is the first in what I hope will be a periodic series of guest-posts.... --t

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by DUSTIN HOWES

I am one of many millions of Americans who, like Dick Cheney, have a defibrillator/pacemaker implanted in their chest. The neat little device not only miraculously regulates your heartbeat and, if necessary, shocks you out of arrhythmia (mine has never fired, but others have told me it feels like getting kicked in the chest by a horse), it also manages to throw off the usual rhythms of airport security. Since it’s metal, the defibrillator sets off the detector, but you can’t very well remove it and put it in the gray tray. Not unless you want to all get all “priest from the Temple of Doom” on their asses.

The required alternative is to go through a pat down. Now that I’ve had perhaps a hundred of these, I could probably run the training session: 1. Check the passenger’s boarding pass. 2. Tell her or him to stand on the mat with the two footprints. 3. Tell her or him to spread their arms. 4. Ask them if they would prefer a “private screening.” 5. Inform them when you will be “touching sensitive areas” and that you will “be using the back of my hand.” And so on.

I find airport security, and particularly the post-9/11 version of airport security, extremely troubling and pointless. So I decided a few months ago to get some t-shirts made with the Fourth Amendment printed on the front and back. For a while, I didn’t feel like I was up to wearing them. What if I got stopped? (Sometimes I said to myself, “This trip is too important to wear it.”) What if people asked questions and I was tired and didn’t feel like talking? I have been traveling a lot and not enjoying it very much.

Anyway, I finally got up the nerve to wear the shirt a couple weeks ago. I found it strange that I was so nervous and self-conscious about wearing the Constitution. Yes, the shirts are not very fashionable and rather wordy. They demand a lot from the public. But more than that, I felt like I was doing something wrong – like I was getting the Constitution through security.

All in all, the trip from Baltimore to Baton Rouge and back again was pretty uneventful. Some passengers commented on the shirt – the completely drunk woman who sat next to me on one of my flights read it out loud and said: “OK! OK!” Other comments from passengers and people working the food places at the airport were mostly positive. When I went through security the first time, a TSA guy running the checkpoint, who from his accent seemed to be a first generation immigrant, tried making conversation: “Hmm … De Fourdth Ah-mednt-ment.” Out of nowhere and to my own surprise I said, “Yeah. This tells you why all of this is illegal.” He didn’t seem to care much. But as I spread my arms in the little fishbowl area among the scanners, his underling did give me an especially brisk pat down.

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Dustin Howes is currently Assistant Professor of Political Science at St. Mary's College of Maryland and will join the Department of Political Science at Louisiana State University in the Fall. His first book, Toward a Credible Pacifism: Violence and the Possibilities of Politics, is forthcoming with SUNY Press. He has published in International Studies Quarterly, has an article forthcoming in Holocaust and Genocide Studies, and wrote the lead essay in the interdisciplinary volume, Ruminations on Violence (2008, Waveland Press).

CFP: Accidents in Film and Media

CALL FOR PAPERS, special issue of the Discourse: Journal for Theoretical Studies in Media and Culture

Greg Siegel, Film and Media Studies, UC Santa Barbara: gsiegel@filmandmedia.ucsb.edu

"Accidents in Film and Media"

In The Accident of Art (2005), Paul Virilio proposes that "as soon as there is invention, there is accident," and that the accident "reveals something important that we would not otherwise be able to perceive." Writing of one momentous invention, Mary Ann Doane identifies cinema's driving impulse as a "curious merger of contingency and structure," suggesting that the moving image participates in the taming of the unpredictable while simultaneously reinforcing its power.

Taking these provocations and paradoxes as points of departure, this special issue of Discourse: Journal for Theoretical Studies in Media and Culture seeks original essays that examine the "something important" revealed by accidents, contingency, and the unexpected specific to media as technologies, expressive forms, and apparatuses of social power. What sorts of histories emerge when we treat media technologies as potential time bombs? media "texts" as veritable train wrecks? and ephemeral traces and transmissions as traumatic scars? How do forces of chance and contingency impact regimes of representation and mediated modes of perception? What political forms do the accidental and the unexpected inspire, imagine, or actualize? How do they intersect or unsettle questions of control, security, risk, wager, preemption, etc.?

In an age marked by increasingly intensified calculation, precision, and the capacity for global destruction, what is the status of chance and contingency? How do contemporary concepts such as viral media, "democratization," and ubiquity coexist with the digital promise of total numeric control of recorded images and sounds? What is the place of medium specificity and convergence in these discussions, and how have technological alterations (e.g., film-historical developments such as sound, color, and digital recording media) affected the relationship of media (as archives, repetitions, reproductions) to the unexpected? Moreover, how might notions of the accidental, the contingent, and the unexpected also inform the methodologies one uses to think about and interpret systems of representation and media?

The editors encourage submissions that inspect the unexpected in film and media (from print culture to digital media) from a breadth of disciplinary and methodological perspectives and invite work that focuses on diverse geographical locales and historical moments. Articles should be about 7,500-8,000 words in length, notes included, and formatted according to the Chicago Manual of Style, 15th edition. The submission deadline is 30 June 2008. Please email all queries and submissions using the subject header "Accidents" to:

discourse@cinemail.usc.edu.

For more information on Discourse see:

http://www.usc.edu/org/discourse/.

Issue Editors:
René Thoreau Bruckner, Critical Studies, Univ. of Southern California
James Leo Cahill, Critical Studies, Univ. of Southern California
Greg Siegel, Film and Media Studies, UC Santa Barbara

All those trees!

An interesting post I thought I'd pass along from the Environmental News Network....

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PLANT A TREE FOR EVERY BOOK YOU READ

Want to get a new book but worry about its environmental impact? Worry a little bit less. With the help of Eco-Libris, you can plant a tree for every book you buy or read.

Says Raz Godelnik, an Eco-Libris co-founder, the company works with readers, publishers, writers, bookstores, and others in the book industry to balance out the paper used for any book by planting trees. About 20 million trees are cut down annually for virgin paper to be used for the production of books sold in the U.S. alone. Eco-Libris raises awareness about the environmental impacts of using paper for the production of books and provides book lovers with a simple way to do something about it: plant a tree for every book they read. Ten dollars will cover tree planting for ten books.

To date, Eco-Libris has balanced out over 24,000 books, resulting in the planting of more than 31,500 new trees! Kedzie Press is collaborating with Eco-Libris in a "Million Tree-A-Thon" initiative to plant one million trees for one million books by the end of 2009.

The Eco-Libris program is being offered by some local bookstores; otherwise, it's easy to participate on-line.

Thumbs up, Eco-Libris.

You can read my interview with Eco-Libris here.

Goodbye, tenure-track faculty

I'm not sure what to make of this:

Every other year, data released by the Education Department’s National Center for Education Statistics provide a snapshot of the growth of part-time positions in the professoriate. This year — an off-year for that data — the federal statistics provide evidence for another shift, in which the majority of full-time professional employees in higher education are in administrative rather than faculty job.

So I guess we tenure track faculty are now a minority in the academy. Could it be that we're also an endangered species? It's certainly odd to think about universities as places not abounding in professors (at least, as the term has tended to be understood).

I wonder: is this the university's version of the widening gap between the rich and the poor, or between the administrative class and an increasingly "casualized" workforce (for whom there is nothing casual about their labors)? Are tenure tack faculty getting "compressed" out of existence, given how cuts in state education budgets, combined with increasingly high administrative salaries, would seem to demand a more "flexible" workforce at the bottom? For any economists out there who may be reading, please chime in anytime....

For more on the global distribution of wealth, see my previous entry, below. And for the complete story about the changing shape of university employment, check out today's Inside Higher Ed.

Poor little rich guy

I was just finishing up some research on Oprah Winfrey for my book when I came across this startling little nugget from Forbes.com: Microsoft maven Bill Gates no longer is the richest person in the world. He's ceded the throne to über-investor Warren Buffett, after 13 gilded years at the top. Actually, he's slipped to number three, one notch below telecommunications mogul Carlos Slim Helú.

Before you go shedding any tears over Mr. Gates' fall from grace (or from the top of the Forbes list, at any rate), be sure to keep this tidbit in mind: the guy's still worth $58 billion, which is $2 billion more than he was worth this time last year. He's clearly not hurting.

And for those of you keeping track of the concentration of wealth, here's some depressing news. According to Forbes.com, there are 1,125 billionaires on the planet whose "total net worth...is $4.4 trillion, up $900 billion from last year." Yes, that's right--at a time when real wages are falling for the rest of us, the wealthiest people in the world got about 25% richer. So why not put that in your pipe and smoke it? They sure do.

On the death of William F. Buckley, Jr.

I don't usually make a habit of devoting blog space to conservative figures, much less to one the New York Times recently called "the architect of modern conservatism." I believe conservative policies on the whole have been extremely detrimental for the nation and the world. As such, I tend to reject them, along with their underlying philosophies.

I didn't always, though, and I owe my political turn around in part to William F. Buckley, Jr., who passed away late Tuesday night.

I grew up in a Republican household--a very Republican household. My father was quite active in the New York Republican party at both the local and state levels. I recall accompanying him to a smoky Republican party headquarters one cold November night in the early 1980s, where we cheered the victories of "our" candidates. The community in which I was raised also was staunchly Republican. It was something of an enclave in this regard, since New York State on the whole tended to be more Democratic, at least, at the time.

Most of my friends' parents were Republicans, and most of my friends knew nothing else but. Consequently, we considered ourselves to be junior members of the Republican party, the inheritors of the GOP. We campaigned for aid to the Central American Contra insurgency during our mock-government conventions. We thought Ollie North, with his perfect posture, crisp uniform, and sad eyes, had been wronged by the liberal establishment. We celebrated the Reagan-Bush landslide of 1984, and in 1988, some championed the cause of the next Republican administration by affixing Bush-Quayle signs to their lockers at school.

We all knew a few, simple things. Democrats or, worse yet, Progressives, obviously were Communist loving softies who wanted to tax the nation into bankruptcy. They also wanted give all sorts of breaks to groups who clearly didn't deserve them. At least, that's what we all believed, swept up as we were in the rising tide of the Reagan Revolution.

My father passed away in 1986, and thereafter, my maternal grandfather became more of a presence in my everyday life. He, too, was an arch conservative. (His father had been a federal court judge, however, whom Franklin Roosevelt had appointed to the bench.) When I headed off to college, in 1991, my grandfather worried. He was a prodigious reader of conservative publications and was well aware of the culture wars taking place around that time on college campuses. He also knew U.S. colleges were "bastions of liberalism," and so he wanted to do what he could to shield me from almost certain ideological indoctrination by the left-wing thought police.

His solution was to subscribe me to the conservative news magazine William F. Buckley had founded in 1955, the National Review. Every two weeks a new issue arrived at my dorm room. I recall thumbing through most of them, more or less interested. Some I read quite intently. One contained a fascinating book excerpt that asked what would have happened had the U.S. not entered the Second World War. Another issue contained a story in which the author argued that the South African anti-Apartheid movement really was a Communist front, and that it should be resisted by the United States at all cost.

It was with the latter article that I began to recognize something was wrong. Why in the world would anyone advocate sustaining Apartheid? This was racism--bald, state-sanctioned racism. How could "godlessness" or "collectivism" be worse than that type of injustice? And how could someone associated with the "party of Lincoln" maintain such a position? Despite my questions, I continued to hold fast to my Republican ideals and passed off the article as one bad apple amid an otherwise okay bunch.

I proceeded to take a political science class during the second semester of my first year at college. The professor was an avowed conservative who had been educated at Georgetown. We read What I Saw at the Revolution, a political memoir penned by Peggy Noonan, Reagan's most famous speech writer. The Professor liked my work and even told me that it reminded her of the kind of thinking she used to encounter at Georgetown. I was proud of that compliment, and even prouder when I earned an A in her class. At the end of the school year, I happily reported to my grandfather that colleges--at least, the one I was attending--maybe weren't great bastions of liberalism after all.

And then it happened. In 1991, Rodney King, an African American man, had been beaten by a group of police officers in Los Angeles, following a traffic stop. The acquittal of all but one of the policemen by a mostly white jury, in April 1992, prompted a wave of riots in L.A. All, clearly, was not well with race relations in this country. I'd seen the infamous videotape of the beating many times. Though I knew there was some room for interpretation--the NR had told me so--it was crystal clear to me that the officers had well exceeded the amount of force necessary to subdue Mr. King. And they were all white.

What horrified me beyond the verdict and the violence, though, was a mailing I received during the summer of 1992: a solicitation of support for the Sargeant Stacey Koon legal defense fund. Koon was one of the ringleaders of the beating, and here I was being asked to help him out. I wondered for a moment why I had received this mailing, when it dawned on me: Koon and his buddies must have gotten my name and address from the National Review.

That was the turning point. I knew then conservatism wasn't for me. There was no going back. And I have William F. Buckley, Jr. to thank for this, my political awakening. Surely it wasn't the one he would have endorsed, much less have expected, but for this reason, he'll never be the "architect of modern conservatism" for me. If anything, he and his magazine helped demolish my conservatism and pave the way for my progressive education.

So thank you, Mr. Buckley, and godspeed.

Trademark troubles on the campaign trail

From today's Inside Higher Ed:

Hillary Clinton’s campaign has of late been pushing charges that Barack Obama plagiarized some phrases in his campaign speeches.

But what about one of Clinton’s favorite phrases: “Solutions for America"? It’s the name for many of her campaign events. Today will feature “Solutions for America” rallies by the campaign in Ohio, and the phrase has appeared as backdrop for many campaign rallies. It turns out, however, that an organization other than the Clinton campaign has the rights to the phrase.

“Solutions for America” is the registered trademark of a University of Richmond program with the Pew Charitable Trusts to help local communities work on a series of social problems. The emphases of the program — promoting child health, reviving neighborhoods, creating jobs — have considerable overlap with Clinton campaign themes.

This one's a bit vexing, honestly, as I can see the potential for overlap and, hence, for "confusion in the marketplace"--a primary rubric by which trademark infringement is supposed to be assessed. Here's the rub, though: aren't we talking about two categorically different things here? Isn't Clinton's use of "Solutions for America" a slogan for a political campaign--something that shouldn't, in theory, exist in the marketplace per se? Now, I understand there's a tremendous marketing dimension to Presidential campaigns, but isn't the end of all that supposed to be about elected leadership and public service, not buying and selling? Or has politics become so commercial that we cannot but conflate the two anymore?

Anyway, you can read the complete article here.

Obsessed with Wikipedia

You may not know this, but I'm obsessed with Wikipedia. Truly, I am. A confession: I love to read it. Another confession: I've even done some editing. I still don't let my students refer to it in their papers, though I may be coming around on that. It's a remarkable resource, at least, for what it is.

Apparently, I'm not the only one who's rapt with Wikipedia. I just discovered Jim Brown's excellent blog, Clinamen, which I've added to my blog roll. I don't know Jim personally, but what I do know is that he's a graduate student in Rhetoric and New Media Studies at the University of Texas - Austin. Clinamen is his attempt to work publicly through issues he's addressing in his dissertation, which focuses on Wikipedia. I haven't been following his blog long enough to know exactly what he's up to, but as far as I can tell, it's all about history, agency, collective writing practices, and the politics of knowledge production. Now that sounds like a dissertation to me.

Anyway, be sure to check out Clinamen. It's really interesting stuff.

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P.S. For all you Deleuzians out there who are trying to put a finger on the word "clinamen," GD mentions it in his writings on Lucretius in Difference and Repetition, The Logic of Sense, and elsewhere. In a nutshell, it refers to the swerving of atomic particles--an apt metaphor for Wikipedia indeed!

Lessig for Congress?

Lawrence Lessig is thinking about running for the United States Congressional seat left open after the passing of Representative Tom Lantos. Please do what you can to encourage him to run. He's one of the smartest and most principled people around, and he's clearly a natural leader. We'd miss him in academe, but Congress may need him even more than we do.

You can read a full story about Lessig's possible Congressional bid here, via the New York Times.

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P.S. Feb. 26, 2008: He's not running, unfortunately. More here....

Call for papers: The politics of journal publishing

...with gratitude to Amy Pason at the University of Minnesota for sharing this with me. Thanks, Amy!

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The Political Economy of Academic Journal Publishing

Call for Papers & Proposal for a Special Issue of Ephemera: Theory & Politics in Organization, to be edited by Craig Prichard & Steffen Böhm.

'Publish or perish', that famous diktat, is without doubt the central, pervasive and unassailable logic governing most academic work in the current period. The central figure, the one around which this decree currently revolves, is, of course, the academic journal article. While the book and perhaps the lecture remain important in some locations, the journal article has become the core currency and the very measure by which academic jobs, careers, reputations and identities are made and traded.

Yet despite all the hours congealed into 'the article', and the years spent perfecting the craft of writing for journal publications, many of us know very little about the industry that surrounds our work and to which we contribute so much. Of course, we may recall certain events: Some will have noted the sale, for nearly US$1 billion, of Blackwell's 875-strong journal collection to US company Wiley in late 2006. Others will be aware that they can now, if they so wish, purchase their already published papers as individual downloads on Amazon.com. There will be some for whom internet-based open access journals (such as ephemera) or online repositories are now the natural home of their written academic work. There may be others whom have confronted the crisis that surrounds journal subscription pricing and are seeing the demise of library journal collections in their university libraries. And there may be a few among us who recognize those journals and publishers that feature in Ted Bergstrom's hall of shame for the most expensive journals currently published (http://www.journalprices.com ). But for all those that recognize such events and processes there are many more for whom such events have 'taken a while to get our attention', as Ron Kirby, the University of California mathematician who led the editorial revolt against Reed Elsevier's pricing strategy at the journal Topography, said recently.

This special issue is an invitation to begin to change that. It is a call for contributions that directly and critically explore the dynamics, problems, tensions, and issues that surround the political economy of academic journal publishing. Part of this is an invitation to explore alternative ways of organizing the production of academic work, particularly the theory, politics and organization of open access publishing, which is, perhaps, the most promising initiative to challenge corporate forms of journal publishing today. This exploration of alternatives is an acknowledgment that the writer and academic author could be regarded, at various moments, as agent, challenger and also victim of hegemonic regimes. We invite inter-disciplinary contributions from around the world and particularly welcome submissions from countries of the Global South, which have seen particular growth of open access publishing initiatives.

Possible topics include (this is not an exhaustive list):

• Political economy of open access publishing
• Academic publishing and the knowledge society
• How to organize an open access journal?
• Political economy of corporate and university press publishing
• The place of journal publishing in the overall apparatus of academic publishing
• Historical perspectives of academic journal publishing
• The hegemony of UK/US publishing & referencing and its global economy
• Issues of censorship in the process of publishing
• Issues of inclusion/exclusion in journal publishing
• Academic publishing in the Global South
• Desires and identities connected to journal publishing
• The public sphere and journal publishing: Who do we really reach?
• The role of journal publishing in the setup and maintenance of professions and disciplines
• Cases of open access publishing
• The organisation of open access repositories
• Case histories of open access repositories
• Copyright vs Copyleft
• Publishing and language: the hegemony of English
• Intellectual property and the impact on academic publishing
• What is a journal's 'impact' and how to measure it?
• The specific role of ephemera: theory & politics in organization in the world of journal publishing and potential 'alternative impact factor measurements'
• Academic evaluation and performance measurement systems (such as the RAE in the UK)
• Publishing outside academia

Full papers should be submitted to the special issue editors via email by 1 November 2008. Papers should be between 5000 and 9000 words; multimedia work is welcome. All submissions should follow Ephemera's submission guidelines:

http://www.ephemeraweb.org/journal/submit.htm.

All relevant submissions will undergo a double blind review process. The special issue is scheduled to be published in late 2009.

Special issue editors:

Craig Prichard
Tari Whakahaere Kaipakihi,
Te Kunenga Ki Purehuroa
Pouaka Motuhake 11-222
Papaioea, Aotearoa
Department of Management 214
Massey University, Private Bag 11-222
Palmerston North, New Zealand
Phone: +64 (0) 6 356-9099 ext. 2244
Email: c.prichard@massey.ac.nz

Steffen Böhm
School of Accounting, Finance and Management
University of Essex
Wivenhoe Park
Colchester CO4 3SQ UK
Phone: +44 (0) 1206 87 3843
Email: steffen@essex.ac.uk

Update on Harvard's open-access decision

From today's Inside Higher Ed:

Harvard University’s arts and sciences faculty approved a plan on Tuesday that will post finished academic papers online free, unless scholars specifically decide to opt out of the open-access program. While other institutions have similar repositories for their faculty’s work, Harvard’s is unique for making online publication the default option.

You can read the full story here. Way to go, Harvard faculty!

I'm waiting on pins and needles

It seems as though talk about open-access journal publishing is all the rage these days, and with good reason. Preserving the integrity of scholarly communication and its ability to circulate are both pressing issues--the latter, especially, given the emergence of digitally rights managed academic journal content and other types of strictures.  These are changing times indeed.

Apropos, I was heartened to discover this article in today's New York Times.  Apparently, the faculty of Harvard University is voting today to decide whether or not to move toward a system that more fully embraces open-access.  Here's an excerpt:

Publish or perish has long been the burden of every aspiring university professor. But the question the Harvard faculty will decide on Tuesday is whether to publish — on the Web, at least — free.

Faculty members are scheduled to vote on a measure that would permit Harvard to distribute their scholarship online, instead of signing exclusive agreements with scholarly journals that often have tiny readerships and high subscription costs.

[...]

“In place of a closed, privileged and costly system, it will help open up the world of learning to everyone who wants to learn,” said Robert Darnton, director of the university library. “It will be a first step toward freeing scholarship from the stranglehold of commercial publishers by making it freely available on our own university repository.”

Under the proposal Harvard would deposit finished papers in an open-access repository run by the library that would instantly make them available on the Internet. Authors would still retain their copyright and could publish anywhere they pleased — including at a high-priced journal, if the journal would have them.

What's exciting (or maybe nerve-wracking) to me is the degree to which Harvard is such a trend-setter.  How the faculty there goes, others are likely to follow.  So, for those of you at Harvard who may be voting today, please support the cause of open-access.  And for those of you who may know folks at Harvard, please tell them to lend their support.

If you need convincing about the merits of open-access, or if you want to learn all there is to learn about the issue, be sure to check out Peter Suber's excellent website.  He also has some extended commentary there about today's vote at Harvard and its implications.  And if you want to read the complete story from the Times, you can access it here.

Lessig for Obama on Super Tuesday (and me, too)

Today, one of my students asked me where he could vote in Indiana's Super Tuesday primary. He was despondent when I told him that Indiana doesn't vote until May--about a week before Guam, and long after the Presidential nominations probably will be sewn up. So for those of you whose votes actually count (and, heck, for those of you who are just interested in the U.S. Presidential elections), check out the Lawrence Lessig video I've embedded here. He makes a clear, reasoned case for why Democrats should support Barack Obama. What I like most is the language of "moral courage" Lessig introduces, as well as how Lessig connects his endorsement to his recent work on ending corruption in politics.

Consider yourself fortunate if you're able to vote today; please make sure to do so. I wish I were in your shoes.

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P.S. On the day after Super Tuesday, nobody seems to know exactly how many convention delegates belong to either Clinton or Obama. The consensus seems to be that each has around 800. Maybe the Indiana contest will end up mattering after all!

And...we're back!

After trolling through a bunch of Blogger discussion groups, at long last, I've finally discovered how to fix the strange header error that had been plaguing me here at D&R. That's the same error that compelled me to change the design of this blog for the last week or so. Anyway, I'm glad to be back to the look I've come to know and love for D&R, and I hope you are, too.

While I'm pretty sure everything's fixed now, I'm not all that confident in my html abilities. So if perchance you find that certain aspects of D&R aren't displaying properly in your web browser, please drop me a line.

One last thing: I still find it disconcerting that I have no idea how, exactly, my template spontaneously(?) changed. What's the saying? Deus ex machina...