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Wednesday, April 28, 2010

Scholarly Journal Publishing

My latest essay, "Acknowledged Goods: Cultural Studies and the Politics of Academic Journal Publishing," is now out in Communication and Critical/Cultural Studies 7(1) (March 2010), pp. 3-25. In my opinion, it's probably the single most important journal essay I've published to date. Here's the abstract:

This essay explores the changing context of academic journal publishing and cultural studies' envelopment within it. It does so by exploring five major trends affecting scholarly communication today: alienation, proliferation, consolidation, pricing, and digitization. More specifically, it investigates how recent changes in the political economy of academic journal publishing have impinged on cultural studies' capacity to transmit the knowledge it produces, thereby dampening the field's political potential. It also reflects on how cultural studies' alienation from the conditions of its production has resulted in the field's growing involvement with interests that are at odds with its political proclivities.

Keywords: Cultural Studies; Journal Publishing; Copyright; Open Access; Scholarly Communication
I'm fortunate to have already had the published essay reviewed by Ben Myers and Desiree Rowe, who podcast over at The Critical Lede. You can listen to their thoughtful commentary on "Acknowledged Goods" by clicking here -- and be sure to check out their other podcasts while you're at it!

Since I'm on the topic of the politics of academic knowledge, I'd be remiss not to mention Siva Vaidhyanathan's amazing piece from the 2009 NEA Almanac of Higher Education, which recently came to my attention courtesy of Michael Zimmer. It's called "The Googlization of Universities." I found Siva's s discussion of bibliometrics -- the measurement of bibliographic citations and journal impact -- to be particularly intriguing. I wasn't aware that Google's PageRank system essentially took its cue from that particular corner of the mathematical universe. The piece also got me thinking more about the idea of "algorithmic culture," which I've blogged about here from time to time and that I hope to expand upon in an essay.

Please shoot me an email if you'd like a copy of "Acknowledged Goods." Of course, I'd be welcome any feedback you may have about the piece, either here or elsewhere.

Tuesday, April 06, 2010

The Late Age of Print open source audiobook project

Listening to Chris Anderson's Free: The Future of a Radical Price on a long car trip got me thinking: why not make an audiobook out of my own book, The Late Age of Print: Everyday Book Culture from Consumerism to Control? And why not, like Anderson, give the digital recording away for free? The thought had barely crossed my mind when reality started to sink in. "You're no Chris Anderson," I told myself. "You don't have the time or the resources to make an audiobook out of Late Age. Just forget about it."

Well, I didn't forget about it. I figured if I couldn't make an audiobook myself, then I'd do the next best thing: let the computer do it for me, using a text-to-speech (T-T-S) synthesizer. The more I thought about the project, the more convinced I became that it was a good idea. It wouldn't just be cool to be able to listen to Late Age on an iPod; an audio edition would finally make the book accessible to vision impaired people, too.

And so I got down to work. I extracted all of the text from the free, Creative Commons-licensed PDF of Late Age and proceeded to text-to-speech-ify it, one chapter at a time. I played back my first recording -- the Introduction -- but it was disaster! The raw text had all sorts of remnants from the original book layout (footnotes, page headers/numbers, words hyphenated due to line breaks, and whole lot more). They seriously messed up the recording, and so I knew they needed to go. I began combing through the text, only to discover that the cleanup would take me, working alone, many more hours than I could spare, especially with a newborn baby in my life. Frustrated, I nearly abandoned the project for a second time.

Then it dawned on me: if I'm planning on giving away the audiobook for free, then why not get people who might be interested in hearing Late Age in on it, too? Thus was born the Late Age of Print wiki, the host site for The Late Age of Print open source audiobook project. The plan is for all of us, using the wiki, to create a Creative Commons-licensed text-to-speech version of the book, which will be available for free online.

There's a good deal of work for us to do, but don't be daunted! If you choose to donate a large chunk of your time to help out the cause, then that's just super. But don't forget that projects like this one also succeed when a large number of people invest tiny amounts of their time as well. Your five or ten minutes of editing, combined with the work of scores of other collaborators, will yield a top-notch product in the end. I've posted some guidelines on the wiki site to help get you started.

I doubt that I have a large enough network of my own to pull off this project, so if your blog, Tweet, contribute to listservs, or otherwise maintain a presence online, please, please, please spread the word!

Thank you in advance for your contributions, whatever they may be. In the meantime, if you have any questions about The Late Age of Print open source audiobook project, don't hesitate to email me. I'd love to hear from you!

Monday, April 05, 2010

Easter egg hunt

It still may be one more day until THE BIG ANNOUNCEMENT, but what would Easter be (even if a day late) without an Easter egg? I've placed one somewhere on my other blog, The Late Age of Print. If you find it, then you'll get to learn the news a full day before rest of the world.

Happy hunting!

Thursday, April 01, 2010

Big announcement coming soon!

Something BIG is brewing over at my other blog, The Late Age of Print! I've finally managed to secure all of the necessary okays to go public with the news, which I'll be posting both here and over at Late Age on TUESDAY, APRIL 6th. Be sure to check back then...

Saturday, March 27, 2010

New look, same great taste!

You may have noticed that things look a little different here at D&R. After four-and-a-half years under the old blue, orange, and gray regime, I thought it was about time for a change.

The old template I was using started to seem, well, a little dated and generic, plus the star graphic that appeared in the upper left-hand corner began to smack of Texaco to me.

The new look makes D&R more visually consistent with the suite of sites that I maintain: The Differences & Repetitions Wiki; The Late Age of Print blog; and Bookworm, my academic website hosted at Indiana University. It's not just about preserving a consistent red, white, gray, and black color scheme, though. I'm also a fan of the Twitter feed that now appears prominently in the header.

So there you have it, the newly-designed D&R. I hope you like it! I may regret opening up this can of worms, but your comments on the new look are welcome. Gulp...

Wednesday, March 24, 2010

Cultural Studies Review goes open access

D&R readers in North America may not be familiar with Cultural Studies Review (neƩ The UTS Review [1995-2002]), but it's one of the most innovative cultural studies journals around. Now it gets even better: CSR has gone open-access, with all of the journal's content freely available online. Definitely check out the current issue and, while you're at it, why not troll through the archive?


Cultural Studies Review 16.1 (March 2010)
Special Issue: Rural Cultural Studies: Research, Practice, Ethics

edited by John Frow and Katrina Schlunke
co-edited with with Clifton Evers, Andrew Gorman-Murray and Emily Potter

SPECIAL ISSUE CONTENTS:
  • John Frow and Katrina Schlunke, Editorial, "Rural Cultural Studies"
  • Clifton Evers, Andrew Gorman-Murray and Emily Potter, ‘Introduction: Doing Rural Cultural Studies’
  • Lisa Slater, ‘Who Do I Serve?’
  • Emily Potter, ‘The Ethics of Rural Place-Making: Public Space, Poetics, and the Ontologies of Design’
  • Rob Garbutt, ‘The Clearing: Heidegger’s Lichtung and The Big Scrub’
  • Michelle Duffy, ‘Sound Ecologies’
  • Andrew Gorman-Murray, ‘An Australian Feeling for Snow: Towards Understanding Cultural and Emotional Dimensions of Climate Change’
  • Deb Anderson, ‘Drought, Endurance and Climate Change “Pioneers”: Lived Experience in the Production of Rural Environmental Knowledge’
  • Michelle Dicinoski, Poems: 'Weights' and 'Measures'
  • Kim Satchell, ‘Auto-choreography: Animating Sentient Archives’
  • Tanya J. King, ‘Damming the Flow: Cultural Barriers to Perceived Procedural Justice‚ in Wonthaggi, Victoria’
  • Rae Dufty, ‘Reflecting on Power Relationships in the 'Doing' of Rural Cultural Research’
  • Lisa Slater, ‘“Calling our Spirits Home”: Indigenous Cultural Festivals and the Making of a Good Life’
  • Melissa Gregg, ‘Available in Selected Metros Only: Rural Melancholy and the Promise of Online Connectivity’
  • Ross Gibson, ‘Intimacy’
POETRY:
  • Ouyang Yu, Four Poems: ‘Bad Blurbs’, ‘2009’, ‘“Australia”’‚ and ‘World Atlas: A Random Fragmentary Selection’
  • Pam Brown, ‘Windows Wound Down’
ARTICLES:
  • Ann Game and Andrew Metcalfe, ‘Presence of the Gift’
  • Katelyn Barney, ‘Gendering Aboriginalism: A Performative Gaze on Indigenous Australian Women’
  • Sarah Gillman, ‘Heroes, Mates and Family: How Tragedy Teaches Us About Being Australian’
REVIEWS:
  • Margaret Henderson on Angela McRobbie, The Aftermath of Feminism: Gender, Culture and Social Change
  • Adrian Martin on Stuart Cunningham, In the Vernacular: A Generation of Culture and Controversy
  • Deane Williams on Ross Gibson, The Summer Exercises
  • Dimitris Vardoulakis on Nick Mansfield, Theorizing War: From Hobbes to Badiou
  • Sarah Cefai on Samantha Holland (ed.), Remote Relationships in a Small World
ABOUT THE JOURNAL:
Cultural Studies Review
is a peer-refereed open-access e-journal published twice a year (in March and September) by UTSePress. This is the journal's first issue as a purely on-line publication. You can view the journal here: http://epress.lib.uts.edu.au/journals/index.php/csrj. Access is free, but you do need to register. Once you have done this, you can read the current issues, receive publication alerts for all future issues, submit articles for consideration on-line and, if you are willing, record your research interests for our referee database.

Register now, and keep up to date with the latest high-quality research and innovative writing in the realm of cultural studies. Queries: csreview@unimelb.edu.au

Tuesday, March 23, 2010

Beyond computing -- CFP from Culture Machine

CALL FOR PAPERS
THE DIGITAL HUMANITIES: BEYOND COMPUTING

Special issue of Culture Machine, vol. 12; http://www.culturemachine.net
edited by Federica Frabetti (Oxford Brookes University)

The emerging field of the Digital Humanities can broadly be understood as embracing all those scholarly activities in the humanities that involve writing about digital media and technology as well as being engaged in processes of digital media production and practice (e.g. developing new media theory, creating interactive electronic literature, building online databases and wikis). Perhaps most notably, in what some are describing as a ‘computational turn’, it has seen techniques and methodologies drawn from Computer Science – image processing, data visualisation, network analysis – being used increasingly to produce new ways of understanding and approaching humanities texts.

Yet just as interesting as what Computer Science has to offer the humanities, surely, is the question of what the humanities have to offer Computer Science; and, beyond that, what the humanities themselves can bring to the understanding of the digital. Do the humanities really need to draw so heavily on Computer Science to develop their sense of what the Digital Humanities might be? Already in 1990 Mark Poster was arguing that ‘the relation to the computer remains one of misrecognition’ in the field of Computer Science, with the computer occupying ‘the position of the imaginary’ and being ‘inscribed with transcendent status’. If so, this has significant implications for any so-called ‘computational turn’ in the humanities. For on this basis Computer Science does not seem all that well-equipped to understand even itself and its own founding object, concepts and concerns, let alone help with those of the humanities.

In this special issue of Culture Machine we are therefore interested in investigating something that may initially appear to be a paradox: to what extent is it possible to envisage Digital Humanities that go beyond the disciplinary objects, affiliations, assumptions and methodological practices of computing and Computer Science?

At the same time the humanities are not without blind-spots and elements of misrecognition of their own. Take the idea of the human. For all the radical interrogation of this concept over the last 100 years or so, not least in relation to technology, doesn’t the mode of research production in the humanities remain very much tied to that of the individualized, human author? (Isn’t this evident in different ways even in the work of such technology-conscious anti-humanist thinkers as Deleuze, Guattari, Kittler, Latour, Negri, Ranciere and Stiegler?)

So what are the implications and possibilities of ‘the digital beyond computing’ for the humanities and for some of the humanities’ own central or founding concepts, too? The human, and with it the human-ities; but also the subject, the author, the scholar, writing, the text, the book, the discipline, the university...

What would THAT kind of (reconfigured) Digital Humanities look like?

We welcome papers that address the above questions and that suggest a new, somewhat different take on the relationship between the humanities and the digital.

Deadline for submissions: 1 October 2010

Please submit your contributions by email to Federica Frabetti: kikka66it@yahoo.it

All contributions will be peer-reviewed.

****************************************************
Established in 1999, CULTURE MACHINE (http://www.culturemachine.net) is a fully refereed, open-access journal of cultural studies and cultural theory. It has published work by established figures such as Mark Amerika, Alain Badiou, Simon Critchley, Jacques Derrida, Henry Giroux, Mark Hansen, N. Katherine Hayles, Ernesto Laclau, J. Hillis Miller, Bernard Stiegler, Cathryn Vasseleu and Samuel Weber, but it is also open to publications by up-and-coming writers, from a variety of geopolitical locations.
****************************************************

Monday, March 15, 2010

Differences & Repetions -- the wiki

Because I know blog readership has a tendency to ebb and wane, I thought I'd remind all of you about this site's companion, the Differences and Repetitions Wiki. I also have an exciting announcement to share.

I launched D&RW back in November 2007, initially as an experiment in collaborative and distributed or "rhizomatic" writing -- and antidote, I'd hoped, to the traditional, closed model of writing in the humanities. The first project, which is still active, began with an essay I drafted for a meeting of the National Communication Association. It explicates Gilles Deleuze and FĆ©lix Guattari's enigmatic statement from their book, What is Philosophy?: "“We do not lack communication. On the contrary, we have too much of it. We lack creation. We lack resistance to the present.” Rather than letting myself have the final word, I decided to make it an open and ever-evolving project; anyone who wants to edit, add to, or otherwise improve upon the piece is welcome to do so, along the lines of Wikipedia.

Currently there are two more projects hosted on D&RW: my piece on cultural studies and the politics of academic journal publishing, a slightly revised version of which should be appearing imminently in the journal, Communication and Critical/Cultural Studies; and my essay on audience labor and the Amazon Kindle e-reader. Although neither piece is set up for public editing, anyone is welcome to leave comments, questions, or feedback on the project site -- anonymous or otherwise.

More than two years after launching the D&R Wiki, I'm happy to report that "We Do Not Lack Communication" continues to evolve. A pretty robust dialogue has also cropped up around early fragments of the journal publishing and Kindle essays, which I'd be delighted to see multiply on the fuller versions. Of course, this is all thanks to the many contributions of the D&R community. Please keep them coming!

It's pretty clear to me that there many more possibilities for engagement on D&RW, compared to your run-of-the-mill academic journal. And so finally, the big announcement: if YOU have a writing project that would (a) be of interest to readers of this blog and that (b) you'd like to see hosted on D&RW, send me an email inquiry. Let's open this thing up even more!

Friday, March 12, 2010

Why "postscript?"

I've been thinking lately about Deleuze's essay "Postscript on Control Societies," published in the book Negotiations. I'm wondering if anyone knows why the essay announces itself explicitly as a postscript.

Now, I realize that Deleuze frames the essay as a response -- or really a critical rejoinder -- to Michel Foucault's explication of the "disciplinary society" in Discipline and Punish. It may well be, therefore, that Deleuze offers the piece on control societies as a postscript to Foucault's work.

I am, however, mistrustful of that interpretation. I trace my suspicion mainly to the last few lines of the "control societies" piece. There, Deleuze states that it's the job of "young people" to "discover whose ends these [aspects of control societies] serve, just as older people discovered, with considerable difficulty, who was benefiting from disciplines" (p. 182).

It seems to me that Deleuze, rather than composing a postscript, is actually outlining a research program. This conclusion would also seem to follow from the proliferation of critical research on control, neoliberalism, governmentality, etc. So would it be more apt, then, to call the essay a "prolegomenon " on control societies? If so, then what might have been Deleuze's motivation for labeling the piece a postscript in the first place?

Tuesday, March 09, 2010

Going mobile

Great news! A good Samaritan, whose handle is "creiercret," recently uploaded the free, Creative Commons-licensed PDF of The Late Age of Print onto the document sharing site, Scribd. Here's the link to the PDF if you're interested in checking it out. The book has already had more than 200 views on the site, I'm pleased to report.

Late Age has been accessible for free online for almost a year, so why am I so excited to see it appear now on Scribd? Mainly because the site just added new sharing features, making it easy to send content to iPhones, Nooks, Kindles, and just about every other major e-reader you can imagine. In other words, The Late Age of Print's mobility-quotient just increased significantly.

I may have some more exciting, mobility-related news about the book, which hopefully I'll be able to share with you in the next week or so. I'll keep you posted. Until then, be sure to check out The Late Age of Print on Scribd, and why don't you go ahead shoot a copy off to your favorite e-reader while you're at it!?

Monday, February 15, 2010

Harry Potter and the Simulacrum

I've been meaning to blog about this for a couple months now. An article of mine, which may be of interest to readers of my book, The Late Age of Print, was published in the October 2009 issue of the journal, Critical Studies in Media Communication (CSMC). Here's the citation, abstract, and keywords:
Ted Striphas, "Harry Potter and the Simulacrum: Contested Copies in an Age of Intellectual Property," Critical Studies in Media Communication 26(4) (October 2009): 1-17.

This essay begins by investigating how and on what basis the boundary between originals and copies gets drawn within the framework of intellectual property law. It does so by exploring Harry Potter-related doubles that were featured in the 2000 trademark and copyright infringement case, Scholastic, Inc., J. K. Rowling, and Time Warner Entertainment Company, L.P. v. Nancy Stouffer. The paper then moves on to consider how, within the context of the case, the boundary line dividing “originals” from “copies” grows increasingly indeterminate, so much so that it becomes untenable to speak of either category at all. It thus investigates what happens when the figure of the simulacrum, which troubles bright-line distinctions between originals and copies, enters into the legal realm. Theoretically, the simulacrum would seem to pose a challenge to intellectual property law's jurisprudential foundations, given how it blurs what should count as an “original” or a “derivative” work. This paper shows that while this may be true in principle, powerful multimedia companies like Scholastic, Time Warner, and others can strategically deploy simulacra to shore up their intellectual property rights.

Keywords: Harry Potter; Intellectual Property; Copyright; Trademark; Simulacrum
There's a good deal of thematic overlap between the article and Chapter 5 of The Late Age of Print, which also focuses on Harry Potter and intellectual property rights. They differ, though, in that the journal essay is more theoretically focused than the book chapter; the latter, I suppose, is more historical and sociological.

The strange thing about "Harry Potter and the Simulacrum" is that even though it's quite theoretical, it's also quite -- I'm not sure what exactly -- playful? comical? whimsical? In any case, it's probably the most fun piece that I've ever written and published. I attribute that largely to the bizarre court case at the center of the essay, which I swear must have been plucked from the pages of a Lewis Carroll story.

In a perfect world I'd link to a PDF of the article, but the journal publisher, Taylor & Francis, prohibits it. In an almost perfect world I'd link you to a post-print (i.e., the final word processing version that I submitted to CSMC), but even that I'm contractually barred from doing for 18 months from the time of publication.

Taylor & Francis charges $30 for the essay on its website, which to my mind is just ridiculous. Heck, a yearly personal subscription to the journal costs $81! So, if you're university-affiliated and want to take a look at the piece, I'd encourage you to check with your own institution's library. If you're not, I'm allowed to share a limited number of offprints with colleagues, and you can email me for one.

To complicate matters even more, the printed version of "Harry Potter and the Simulacrum" has the wrong copyright declaration. I signed Taylor & Francis' double-secret "license to publish" form instead of the usual copyright transfer. Despite that, the piece still says © National Communication Association, which is the scholarly society under whose auspices CSMC is published. Sigh.

Suddenly this is starting to sound like a Lewis Carroll story....

Thursday, February 11, 2010

Where the Cylons will come from

I missed most of the SyFy (nƩe Sci Fi) series Battlestar Galactica (2004-2009), though I managed to catch enough to know that I wanted to watch the new prequel, Caprica, from the beginning. I haven't been disappointed. With the pilot and two episodes now under my belt, it's safe to say that I'm hooked.

Caprica provides an origin story for the Cylons, a cyborg race created by humans who later attempt to annihilate their masters. That may sound pretty de rigueur as far as the sci-fi genre goes, but here's the twist: we learn that each Cylon's "being" -- his, her, or its unique identity or essence -- is actually the aggregation of a human individual's medical records, purchasing patterns, educational transcripts, voting records, electronic communications, and other personal information archived online. The Cylons are, in other words, the walking, talking, informational avatars of the human race.

It was with all that in mind that I happened upon the clip embedded below, which is from the February 2, 2010 episode of The Colbert Report. The title, "Cognoscor Ergo Sum," translates from the Latin as, "I am known, therefore I am." How apt. In the segment Colbert spotlights Blippy.com, IJustMadeLove.com, and other websites that allow people to reveal and record the intimate details of their daily lives. Blippy lets you broadcast what you've just purchased using your credit card, and where. IJustMadeLove allows you shout from the electronic rooftops when, where, and how you've just done the nasty. (Yes, I wish I were making that one up.)

The Word - Cognoscor Ergo Sum
www.colbertnation.com
Colbert Report Full Episodes


There's been all sorts of talk for years now about the vulnerability of information online, and it's no surprise given the proliferation of networked databases that identity theft has emerged as one of the foremost crimes of our time. What's even more striking to me, however, is how Caprica and the Colbert clip together seem to shift the meaning of -- and even up the ante on -- identity theft.

Now, don't get me wrong. I'm not suggesting that we humans are poised to give rise a line of super-machines intent on wiping us out. What I am suggesting, though, is that we can only begin to imagine how and for what purpose the digital data trails that we leave behind today will be used in the future. I like to think about it this way: when I started college, how could I have anticipated a rash of photos and videos surfacing close to 20 years later on Facebook? Heck -- there was barely an internet back then, let alone affordable scanners or even the idea of social networking.

Leave it to popular culture, then, to register one of the critical questions of this new decade: how does a society plan for an information future that may well be unfathomable, technologically speaking?

Monday, February 08, 2010

Oprah has landed

It's always intriguing for me to see how life influences the direction of one's work. When I was growing up in the 1980s, 4:00 p.m. meant one thing: The Oprah Winfrey Show would be on the television set in my home. Sometimes my mother would take a break from cooking to watch the show in our TV room. If the meal was complicated, she'd just turn the TV up and listen from the kitchen. Either way, 4 pm meant that it was her time -- and consequently my time -- with Oprah.

Plus or minus two decades later I published an article on Oprah's Book Club in an academic journal called Critical Studies in Media Communication and, later, a chapter on the same subject in my book, The Late Age of Print: Everyday Book Culture from Consumerism to Control (Columbia University Press, 2009).

Because I've been ensconced in Oprah for so long, both personally and professionally, it's difficult for me to understand why people refuse to take her seriously. I suspect a lot of it has to do with offhanded impressions about the The Oprah Winfrey Show, television talk shows in general, or indeed Oprah herself. Honestly, I don't have much tolerance for critics who disparage or dismiss the Oprah phenomenon without studying it intensively, in all of its complexity and over the long-term. I don't embrace all-things-Oprah by any means, yet it seems pretty clear to me that she's transformed and even enriched U.S. culture in countless ways.

I'm excited, therefore, to see this week's edition of the media blog In Medias Res devoted to the theme of Oprah. Here's the lineup:
  • Monday: "Stories of O: Oprah's Culture Industries" by Kimberly Springer
  • Tuesday: "Too Big to Fail" by Janice Peck
  • Wednesday: "For the Sake of the Children" by John Howard
  • Thursday: "I've Been Rich and I've Been Poor: The Economics of Oprah" by Vanessa Jackson
  • Friday: "Oprah's Got Beef?: Alleged Matriarchies and Masculinist Rhymes" by Kimberly Springer
I'm looking forward to seeing how the series of posts unfolds. I find that academic authors tend to be extremely cynical towards Oprah, both the person and the broader phenomenon, and so I'm keeping my fingers crossed here. Hopefully the contributors will give such complex subject matter its due.

You can expect to see me leaving comments on IMR throughout the week, since, clearly, this is a topic that's been with me for a good long while. I'd encourage you to chime in, too. In the meantime, enjoy the Letterman-Oprah-Leno ad from last night's Superbowl.

Wednesday, February 03, 2010

Before Biggy & Tupac



Before the ill-fated East Coast-West Coast rap rivalry, there was this one: Englishman John Maynard Keynes versus Austrian Friedrich von Hayek. Biggy and Tupac battled it out to determine who was more gangsta. These guys, on the other hand, had a different beef: whose economic philosophy ought to prevail?
Both: "We've been goin' back and forth for a century."
Keynes: "I want to steer markets!"
Hayek: "I want them set free!"
Hilarious...and only in the age of YouTube.

Too bad my flow isn't better. Maybe then I'd be better able to explain the differences between Henri Lefebvre and Michel de Certeau to my students.

Sunday, January 31, 2010

New issue of Collapse now available

The latest installment of one of the coolest, most cutting-edge theory journals out there....

Collapse VI: Geo/Philosophy is now available.

Advance orders and subscription copies are being shipped immediately.

Please visit www.urbanomic.com to purchase. A PDF preview of the editorial introduction to the volume is also available on the website.


Contributors to the volume include: Charles Avery, Angela Detanico and Rafael Lain, Stephen Emmott, Owen Hatherley, F I E L D C L U B, Iain Hamilton Grant, RenƩe Green, Gilles Grelet, Manabrata Guha, Nicola Masciandaro, Timothy Morton, Greg McInerny, Robin Mackay, Reza Negarestani, Drew Purves, F.W.J. Schelling, Eyal Weizman, Rich Williams.

Following Collapse V's inquiry into the legacy of Copernicus' deposing of Earth from its central position in the cosmos, Collapse VI: Geo/philosophy poses the question: How should we understand the historical and contemporary bond between philosophical thought and its terrestrial support?

Collapse VI: Geo/philosophy begins with the provisional premise that the Earth does not square elements of thought but rather rounds them up into a continuous spatial and geographical horizon. Geophilosophy is thus not necessarily the philosophy of the earth as a round object of thought but rather the philosophy of all that can be rounded as an (or the) earth. But in that case, what is the connection between the empirical earth, the contingent material support of human thinking, and the abstract 'world' that is the condition for a 'whole' of thought?

Urgent contemporary concerns introduce new dimensions to this problem: The complicity of Capitalism and Science concomitant with the nomadic remobilization of global Capital has caused mutations in the field of the territorial, shifting and scrambling the determinations that subtended modern conceptions of the nation-state and territorial formations. And scientific predictions present us with the possibility of a planet contemplating itself without humans, or of an abyssal cosmos that abides without Earth - these are the vectors of relative and absolute deterritorialization which nourish the twenty-first century apocalyptic imagination. Obviously, no geophilosophy can remain oblivious to the unilateral nature of such un-earthing processes. Furthermore, the rise of so-called rogue states which sabotage their own territorial formation in order to militantly withstand the proliferation of global capitalism calls for an extensive renegotiation of geophilosophical concepts in regard to territorializing forces and the State. Can traditions of geophilosophical thought provide an analysis that escapes the often flawed, sentimental or cryptoreligious fashions in which popular discourse casts these catastrophic developments?

Continuing to combine and connect work from different disciplines and perspectives in innovative ways, this new volume of Collapse brings together philosophers, theorists, eco-critics, leading scientific experts in climate change, and artists whose work interrogates the link between philosophical thought, geography and cartography. This multiplicity of engagements makes Collapse VI a philosophically-rich yet accessible examination of the present state of 'planetary thought'.

Contents of Volume VI are as follows:

- In 'Becoming Spice: Commentary as Geophilosophy', Nicola Masciandaro (CUNY, Glossator.org) argues that philosophy belongs not to the ‘folly’ of a vertically-oriented ‘straight path’ but to a ‘circular and endless’ movement on the surface of the earth. The practice of commentary provides the key to understanding this endless movement, as the continual production of knowledge, a practice which ‘proceeds by staying’. Masciandaro sees this role of commentary as being encoded in spice, as a global commodity whose currency and commercial movement figures the production of understanding through continual differentiation and distribution.

- One significant modern attempt to create a philosophy that encompasses the Earth system is F. W. J. Schelling’s naturephilosophy. In Schelling’s 1798 work On the World Soul, previously unavailable in translation, the philosopher revendicates the ancient theory of the ‘World-Soul’, entirely reconstructing it through the most contemporary science of his time, which he supplements with the necessary speculative basis that will allow him to effect this grand synthesis. As Iain Hamilton Grant tells us in his introduction to extracts from his new translation, Schelling’s book must be understood as a bold experiment in systematically thinking ‘the All’.

- Reflections on the contemporary problems of thinking the ecology of the planet follow, in extended interviews with research scientists working on computational models of climate change at Microsoft's Computational Science lab in Cambridge, England. Stephen Emmott, Greg McInerny, Drew Purves and Rich Williams discuss their work devising new predictive computational models which reflect the interconnectivity and complexity of the biosphere, and present us with the perspective of ecology as a science reborn and negotiating its foundations and principles in response to the urgency of environmental crisis.

- In 'Thinking Ecology: The Mesh, the Strange Stranger and the Beautiful Soul' Timothy Morton (Professor of Literature and the Environment at the University of California, Davis, and author of Ecology Without Nature) presents a challenge to the pious sentimentalisation of 'nature' in ecological discourse, challenging 'environmentalists' to leave behind the 'beautiful soul' and think themselves as enmeshed in a 'dark ecology'.

- A contribution from UK artist collective F I E L D C L U B extends Morton's critique of the ideology of environmentalism, and examines the technical mediation of man's relation to the biosphere, asking: 'How Many Slugs Maketh the Man?'

- In 'Fossils of Time Future', Owen Hatherley continues his project to rescue architectural modernism from the ‘Ikea modernism’ of ‘light and airy’ interior design belonging to the vacuous economic optimism of the late twentieth-century. He contends that, in restoring the links of modernism with its less palatable predecessors – such as the proto-brutalism of Hitler’s Atlantic Wall – we can reawaken a suppressed, but rich and provocative, historical lineage where architecture confronts the 'chthonic'.

- In an extended interview with architect and theorist Eyal Weizman, 'Political Plastic', we discuss the way in which he sees architecture per se as interacting with the ‘political architecture’ of the Israeli occupation of Palestine, and how the structure of the latter has been involved in a conceptual commerce with theory. Discussing in depth his conception of ‘forensic architecture’, Weizman speaks about the way in which this materialist-pluralist conception of politics demands a rethinking of the notions of responsibility, ideology, and resistance, and how his project Decolonising Architecture’s processes of ‘design by destruction’ and ‘ungrounding’ seek to disrupt the very temporalities according to which the very question of a ‘solution’ to the problem of occupation has been posed.

- Graphic work by artists Angela Detanico and Rafael Lain examines the many ways in which the planet is coded; their playful constructions explore the peculiar grammatologies that emerge once this stenography between the geographical and the symbolic is in place.

- Manabrata Guha (Assistant Professor at the National Institute of Advanced Studies (NIAS), Bangalore, India) presents an ‘Introduction to SIMADology’ in which he addresses the ‘global security ecology’ and suggests that its regime of thinking the relation of war to the earth – inherited, as he suggests, from the ‘father’ of the theory of warfare, Clausewitz – fails to register the radical difference which terror-operations inpose on the martial landscape. What Guha calls the SIMAD – Singularly Intensive Mobile Agencity of Decay – disrupts the Clausewitzian paradigm, drawing war-machines into a ‘chthonic battlespace’ which they are constitutively incapable of navigating.

- Reza Negarestani’s contribution undertakes an analytic examination of an ‘architecture and politics of decay’. Excavating some of the more bizarre preoccupations of mediaeval thought, and tracing their influence on early-modern mathematics, Negarestani suggests that they offer us the formal basis for an ‘architecture, mathesis and politics of decay’.

- Artist Charles Avery presents a new 'epilogue' and images of work from his project 'The Islanders', prefaced by Robin Mackay's essay which discusses the history of 'Philosophers' Islands' and the relation of Avery's work to this philosophical-literary tradition.

- Philosopher Gilles Grelet presents an implacable manifesto refusing philosophy's role of carving up and dividing the earth; presenting 'boat-theory' as 'a full-on attack on the world’, an angelic thought whose ‘crossings’ operate without the imperatives of the ‘worldly’.

- Artist RenĆ©e Green's film work 'Endless Dreams and Water Between', presented as part of an installation at Greenwich Maritime Museum in 2009, and presented in transcript form in Collapse VI, tells the story of four women driven by a curiosity about the island as a ‘non-location’. In contemplating their island locations, Green’s protagonists move towards a collective thinking which expands into the realms of the abstract only on the basis of their localisation and the contingency of their respective interests and life-circumstances.

Wednesday, December 02, 2009

"Beneath the University, the Commons"

Looks A-M-A-Z-I-N-G...


"Beneath the University, the Commons"
A conference at the University of Minnesota
April 8-11, 2010

// Antioch 05.08 // Rome 10.08 // Athens 12.08 // New York City 12.08 //
Helsinki 03.09 // Zagreb 05.09 // Heidelberg 06.09 // London 06.09 //Santa
Cruz 09.09//…

Seemingly discrete struggles over the conditions of university life have erupted around the world within the past year. These struggles share certain commonalities: outrage over precarious and exploitative conditions, the occupation of university spaces, and goals of reclaiming education from state and corporate interests. It is becoming increasingly apparent that recent struggles over the university are not merely discrete events. They express a wider collective desire for direct control over the means of production and forms of life; a desire to create relationships of learning, collaboration, and innovation beyond the university’s attempts to quantify
and discipline them.

Although the modern university has served the interests of the state and capital since its inception, the past thirty years have witnessed tightened ties with corporate, financial, and geopolitical interests. The subsumption of higher education under capital-driven business models has intensified the expropriation of the products of cooperative labor. With the proliferation of student-consumer and scholar-manager subjectivities, we increasingly find ourselves uncomfortably and often unwittingly occupying the role of active participants in these trends. As the global struggles over the past year have illustrated, however, opposition to these mechanisms of capture is mounting, as are creative strategies for alternatives and exodus. Struggles against the corporate university are linking up across borders; the slogan of the International Student Movement, “One World – One Struggle : Education is Not for Sale,” and the slogan of the Anomalous Wave, “We Won’t Pay for Your Crisis,” appear in actions across Europe, the Americas, and South Asia.

“Beneath the University, the Commons” builds on the work accomplished by activists, organizers, artists, and academics at the “Re-thinking” and “Re-working” the University Conferences of 2008 and 2009 (www.reworkingtheu.org), while expanding the scope of our discussions and bringing together more international scholars in order to address an increasingly volatile global situation. Our goal is to aggregate and accelerate our knowledge of university conditions and our collective acts of resistance to them, including alternative forms of engaging with each other and with the world. To this end, the 2010 conference will draw together a diverse set of people committed to exploring how we can understand, create, and experiment with the commons beneath the university. Our questions include but are not limited to:

//How do we enact and sustain occupations of the university in the exceptional times and spaces of the everyday?

//How do we generate an international “undercommons,” maintaining subversive positions as actors within, rather than of, the spaces of the university?

//How can unionization projects and occupation struggles learn from and collaborate with one another?

//How do we negotiate the line between stability and revolutionary effectiveness?

//How do we open up sustainable and livable spaces for radical research, education, and scholarship without being subsumed by the publish-or-perish disciplinary apparatus?

//How can we collaboratively map and share research, information, tactics, and cultures?

//In recognition that our conditions are a part of a larger set of global occupations and injustices, how do we link with social movements outside of and across the university?

This four-day event will consist of two days of conference sessions bracketed by two days of workshops, writing collaborations, skill shares, and plenty of time for sustained conversations among participants. We are accepting proposals both for formal papers and for non-conventional forms of participation.

-- If you would like to present a paper, please submit an abstract and a CV or brief biographical statement.

-- If you would like to participate in another way (by leading a workshop, facilitating a roundtable, presenting media, etc), please submit a brief (1-2 pages) description of the proposed activity and include what kind of resources we would need to provide, along with a CV or brief biographical statement.

All proposals should be addressed to conference@beneaththeu.org, and must be received by January 1, 2010.

Sunday, November 29, 2009

CFP: Gilbert Simondon Conference

Gilbert Simondon: Transduction, Translation, Transformation
A Two-Day International Conference at the American University of Paris
May 27-28, 2010
Paris, France

In recent years, the work of Gilbert Simondon has received greater attention both in France and internationally following the re-publication of his work over the past decade. The importance of Simondon’s thought to the work of French philosophers including Gilles Deleuze and Bernard Stiegler has become increasingly discussed and analysed both in France and in the English-speaking world. At the same time, Simondon’s work has been taken up on its own terms, recognized for the unique contributions that he made to the philosophy of technology, phenomenology and social philosophy. Forthcoming translations of his major works into English will surely instigate a long-overdue introduction of his work within a much broader international community of scholars.

We are currently accepting submissions that examine how Simondon’s work has intersected with other projects in critical theory, cultural studies, contemporary social theory and beyond. Thus, in keeping with the theme of “transduction, translation and transformation,” we are not looking for papers that merely rehearse the writings of Simondon, but projects that transform and translate his concepts and thoughts into new areas of work and new forms of engagement. We equally invite participation from experts on Simondon's work, as well as those interested in discovering it for the first time.

Confirmed Keynote: Mark Hansen (Duke University)

Possible presentations could engage with Simondon's work connected with various themes including:

- Media, technology and technics;
- Information, its history and futures;
- Theories and practices of individuation and affect;
- Bio-social ontologies;
- Post-representational philosophy;
- Phenomenology and materialism;
- Systems Theory;
- Simondon and other thinkers (Deleuze, Merleau-Ponty, Baudrillard,
Stielger, Stengers...)

The conference format will primarily consist of paper presentations, roundtable discussions and keynotes, but interested participants are welcome to propose alternative forms of involvement. Those interested in participating are asked to submit at 300 word abstract, outlining the subject of their contribution. Please send these abstracts to the attention of the conference organizers by January 30th, 2010 via email to the address, simondon.conference@gmail.com. Accepted proposals will be considered for inclusion in a future publication drawn from the conference proceedings.

Conference Organizers: Bernard Geoghegan (Northwestern University, USA), Mark Hayward (American University of Paris, France), and Robert Mitchell (Duke University, USA)

Saturday, November 21, 2009

Deleuze: Ethics & politics conference CFP

Looks great...

Call for Papers: "Deleuze: Ethics and Politics"

4th Biennial Philosophy and Literature Conference at Purdue University
April 9-10, 2010
Purdue University, West Lafayette

Deadline for Paper Submission:
January 15, 2010

The philosopher Michel Serres once described Gilles Deleuze as “an excellent example of the dynamic movement of free and inventive thinking.” Without a doubt, Deleuze was one of the most singular and prolific philosophers of the 20th century. It is no surprise then, that the impact of Deleuze’s thought continues to reverberate throughout a host of diverse disciplines including Philosophy, Literature, Political Theory, Law, Visual Arts, Film Studies, and Education. With recognition of Deleuze’s influence in these various fields, and in the spirit of Serres’ assessment, this conference seeks to motivate an exploration of Deleuze’s inventive thinking in the particular areas of politics and ethics.

Thus, this conference will serve as a platform, bringing together graduate students and faculty interested in engaging, developing, or critically examining the political and ethical dimensions of Deleuze’s work. Possible topics include, but are not limited to: immanent vs. transcendent criteria in ethics, political theory, law and jurisprudence; the role of the State in relation to capitalism; the possibility of social forms of organization radically exterior to the State forms; the positive or productive function of desire as a creative force directly invested in the social field; the problem of micro-fascism with respect to individual and collective processes of subjectivation; the forms of resistance enabled by minor literature and other processes of becoming-minor; the conception of cartography as a critical and transformative social analytic of power relations. This two-day conference will consist of four panels, each with three to four accepted graduate students presenting, three keynote addresses, and a wine and cheese reception.

Keynote Speakers
We will host three preeminent Deleuze scholars as keynote speakers: Daniel Smith and Arkady Plotnitsky, from Purdue University, and Eugene Holland, from Ohio State University. Dr. Smith is known for national and international projects including translations of Deleuze and Klossowski and several works on Deleuze leading up to the forthcoming publication of his book on Deleuze’s philosophical system. Dr. Holland specializes in social theory and modern French literature, history, and culture. He has published widely including a 1999 volume on Deleuze and Guattari’s Anti-Oedipus and a forthcoming book on Nomad Citizenship. Dr. Plotnitsky has contributed numerous publications on Deleuze and on the topics of science, literature, and philosophy. He is currently working on a book entitled Space-Time-Matter-Thought: Non-Euclideanism from Riemann and Deleuze, and Beyond.

Conference Eligibility and Submission Process
We welcome submissions from graduate students of any discipline working on the political or ethical facets of Deleuze’s philosophy. Submissions will be accepted via email at phil-lit-conference@purdue.edu. The deadline for submissions is January 15, 2010. Authors should attach both the paper and an abstract (500 word limit) as a Word document. The author’s name and affiliation should be omitted from the body of the paper. In addition, the author should include the text of the abstract in the body of the message. Be sure to include the following information in the email: full name, departmental affiliation, degree program, and the title of your paper. Accepted authors will receive notification no later than February 15, 2010.

Contact Information
For updates, please visit http://www.cla.purdue.edu/academic/idis/phil-lit/conference/. All additional questions can be directed to Erin Kealey or Rocky Clancy via email at: phil-lit-conference@purdue.edu.

Tuesday, October 13, 2009

Deleuze & activism conference

DELEUZE AND ACTIVISM CONFERENCE

The Centre for Critical and Cultural Theory, School of English, Communication & Philosophy in cooperation with Culture, Imagination and Practice Research Group, School of Social Sciences

CARDIFF UNIVERSITY, WALES
12-13 NOVEMBER, 2009

Post-identity - The political Deleuze - The Commons - Activism-s - Geo-activism - Micro-interventions

For more information, please contact Marcelo Svirsky: DELEUZE@CF.AC.UK

Speakers:

Keynote: Ian Buchanan (Cardiff ); Jeremy Gilbert (East London); Paul Patton (UNSW); Nathan Widder (Royal Holloway)

Ronnen Ben-Arie (AVIG, Israel/Palestine); Simone Bignall (UNSW); Hywel Bishop (Cardiff); Steven Brown (Leicester); Christoph Brunner (Montreal); John Cromby (Loughborough); Andrew Dornon (Southwestern); Brad Evans (Leeds); Jan L. Harris; GaŔper Kralj (Radical Education Collective, Slovenia); Bryce Lease (Kent); Ioulia Mermigka (Athens); Keir Milburn (Leeds); Rodrigo Nunes (Turbulence); Karl PalmÄs (Chalmers, Sweden); Dimitris Papadopoulos (Cardiff); Ofer Parchev (Haifa); Bojana PiŔkur (Radical Education Collective, Slovenia); Maria Puig de la Bellacasa (Cardiff); Remy Robertson (Southwestern); Stevphen Shukaitis (Autonomedia, Essex); Sian Sullivan (Birkbeck); Laurent de Sutter (LSTS, Belgium); Marcelo Svirsky (Cardiff); Vidar Thorsteinsson (Reykjavik Academy)

For registration and programme, visit: WWW.CARDIFF.AC.UK/ENCAP/NEWSANDEVENTS

Wednesday, October 07, 2009

CFP -- "The Archive & Everyday Life" Conference

Call for Proposals:

“The Archive and Everyday Life” Conference
May 7-8, 2010
McMaster University

Proposals due 15 October 2009 to tayconf@mcmaster.ca

Confirmed Keynotes: Ann Cvetkovich (An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures), Angela Grauerholz (At Work and Play: A Web Experimentation), Ben Highmore (The Everyday Life Reader; Everyday Life and Cultural Theory), Michael O’Driscoll (The Event of theArchive)

This conference will bring together academics, advocates, artists, and other cultural workers to examine the intersecting fields of archive and everyday life theory. From Simmel through Mass Observation to contemporary Cultural Studies theorists, the objective of everyday life theory has been, as Ben Highmore writes, to “rescue the everyday from conventional habits of the mind…to attempt to register the everyday in all its complexities and contradictions.” Archive theory provides a means to explore these structures by “making the unfamiliar familiar,” hence opening the possibility of generating “new forms of critical practice.” The question of a politics of the archive is critical to the burgeoning field of archive theory. How do we begin to theorize the archive as a political apparatus? Can its effective democratization be measured by the participation of those who engage with both its constitution and its interpretation?

“Archive” is understood to cover a range of objects, from a museum’s collection to a personal photograph album, from a repository of a writer’s papers in a library to an artist’s installation of found objects. Regardless of its content, the archive works to contain, organize, represent, render intelligible, and produce narratives. The archive has often worked to legitimate the rule of those in power and to produce a historical narrative that presents class structure and power relations as both common-sense and inevitable. This function of the archive as a machine that produces History—telling us what is significant, valued, and worth preserving, and what isn’t—is enabled through an understanding of the archive as neutral and objective (and too banal and boring to be political!). The archive has long occupied a privileged space in affirmative culture, and as a result, the archive has been revered from afar and aestheticized, but not understood as a potential object of critical practice.

Can a dialogue between archive theory and everyday life theory work to “take revenge” on the archive (Cvetkovich)? If the archive works to produce historical narratives, can we seize the archive and its attendant collective consciousness as a tool for resistance in countering dominant History with resistant narratives? While the archive has worked to preserve a transcendental, “affirmative” form of culture, bringing everyday life theory into conversation with archive theory opens up the possibility of directing critical attention to both the wonders and drudgeries of the everyday. Archiving the everyday—revealing class structures and oppression on the basis of race and gender, rendering working and living conditions under global capitalism visible, audible, and intelligible—redirects us from our busyness and distractedness, and focuses our attention on that which has not been understood to be deserving of archiving. The archive provides the time and space to think through a collection of objects organized around particular set of interests. If the archive could grant us a space in which to examine everyday life, rather than sweeping it under the carpet as a trivial banality, we could begin to understand our conditions and develop the desire to change them.

How can we envision the archive as a site of ethics and/or politics? Does the archive simply represent a place to amass memory, or can it, following Benjamin, represent a site to make visible a history of the present, thus amassing fragments of the everyday, which can in turn be used to uproot the authority of the past to question the present? In short, what happens when we move beyond the archive as merely a collection and begin to theorize it as a site of constant renewal and struggle within which the past and present can come together? Furthermore, how then does the archive as an everyday practice allow us to understand or change our perception of temporality, memory, and this historical moment?

Areas of inquiry for submissions may include, but are not limited to, the following topics and questions:

• The archive both includes and excludes; it works to preserve while simultaneously doing violence. Are the acts of selection, collection, ordering, systematizing, and cataloguing inherently violent?
• The question of digitization: the internet as digital archive and the digitization of the physical archive. Digitizing the archive renders collections invisible and distant, yet increasingly searchable and quantifiable. Does the digitization of the archive reveal new ways of seeing persistent power structures? Or does it hide them?
• National and colonial archiving: questions of power and national identity.
• The utopian, radical potential of the archive as well as its dystopian possibilities.
• Indigenous modes of archiving.
• Visibility and pedagogy: while the archive often works to hide, conceal, and store away, it can also reveal and display that which otherwise remains invisible. Do barriers to access restrict this emancipatory function of the archive?
• Questions of collective memory and nostalgia (for Benjamin, a retreat to a place of comfort through nostalgia is not a political act).
• The archive as revisionist history.
• The archive as a form of surveillance.
• The role of reflexivity with respect to the manner in which the archive is constructed/produced/curated.
• Function of the narrative form for the archive: how does the way in which the archive reveals its own constructedness unravel the concept of the archive as “historical truth”?
• The future of the archive: preservation and collection look forwards as well as into the past. How should we understand the hermeneutic function of the archive and the struggle over its interpretation?
• The relationship between the archive and the archivist/archon.
• Mechanisms of inclusion and exclusion in the archive: who speaks and who is spoken for?
• The affective relationship between the archive and the body.

Following the conference, we intend to publish an edited collection of essays based on the papers presented at the conference to facilitate the circulation of ideas in this exciting field of inquiry.

“The Archive and Everyday Life” Conference will take place 7-8 May, 2010, sponsored by the Department of English and Cultural Studies at McMaster University in Hamilton, Ontario (John Douglas Taylor Fund). The conference format will be diverse, including paper presentations, panels, round-table exchanges, artistic performances, and exhibitions. We encourage individual and collaborative paper and panel proposals from across the disciplines and from artists and community members.

Paper Submissions should include (1) contact information; (2) a 300-500 word abstract; and (3) a one page curriculum vitae or a brief bio.

Panel Proposals should include (1) a cover sheet with contact information for chair and each panelist; (2) a one-page rationale explaining the relevance of the panel to the theme of the conference; (3) a 300 word abstract for each proposed paper; and (4) a one page curriculum vitae for each presenter.

Please submit individual paper proposals or full panel proposals via e-mail attachment by October 15, 2009 to tayconf@mcmaster.ca with the subject line “Archive.” Attachments should be in .doc or .rtf formats. Submissions should be one document (i.e. include all required information in one attached document).

Conference organizing committee:
Mary O’Connor, Jennifer Pybus, and Sarah Blacker