
(1) Ted Striphas & Kembrew McLeod, “Introduction—Strategic Improprieties: Cultural Studies, the Everyday, and Intellectual Property Law"
(2) Adrian Johns, "Intellectual Property and the Nature of Science"
(3) McKenzie Wark, "Information Wants to be Free (But is Everywhere in Chains)"
(4) Andrew Herman, Rosemary J. Coombe, & Lewis Kaye, "Your Second Life? Goodwill and the Performativity of Intellectual Properties in On-Line Games"
(5) Steve Jones, "Reality© and Virtual Reality©: When Virtual and Real Worlds Collide"
(6) Jane Gaines, "Early Cinema, Heyday of Copying: The Too Many Copies of L'’arroseur arose"
(7) Gilbert B. Rodman & Cheyanne Vanderdonckt, "Music for Nothing or, I Want My MP3: The Regulation and Recirculation of Affect"
(8) David Sanjek, "Ridiculing the 'White Bread Original': The Politics of Parody and Preservation of Greatness in Luther Campbell a.k.a. Luke Skyywalker et al. v. Acuff-Rose Music, Inc."
(9) Eva Hemmungs Wirten, “Out of Sight and Out of Mind: On the Cultural Hegemony of Intellectual Property (Critique)"
(10) Siva Vaidhyanathan, “Afterword—Critical Information Studies: A Bibliographic Manifesto”
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